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Our Story · Vijay N. Purandare

From loudspeaker manufacturing to performance space design.

The Beginning
The journey began in 1983, in a loudspeaker manufacturing workshop.
Early involvement in sound reinforcement and field installations revealed a recurring challenge: the quality of a venue was often determined not by equipment, but by the room itself.
This observation led to a lifelong pursuit of acoustics, auditorium planning and audience experience.
Technical Development
Long before commercial acoustic simulation software became widely accessible, custom tools were developed in-house.
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These tools remain protected intellectual property.
Design Philosophy

A successful auditorium is not judged by photographs, awards or product catalogues.

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Performance first.
Beauty follows.
The most beautiful part of any architectural project is how well it serves its purpose. For auditoriums, that purpose is the bond between performer and audience, an enhanced musical experience and crystal-clear speech.
— Vijay N. Purandare
Timeline
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Sophisticated acoustic design, however, is but one element of an auditorium project. The demands on the architect are considerable. The strongly constrained nature of auditorium design means that the grand gesture is generally out of place. Several auditoria exist around the world where a major world-class architect has wanted to create a great public monument, but the architecture gets in the way of an effective functioning auditorium.
The ideal requires a good rapport between the architect and his major consultants, a willingness to develop a scheme within the design team, and for the architect to view the needs of other disciplines as a stimulus rather than an irritation.
But success reaps many rewards — by providing a venue to sustain the essential live performances in the arts, and frequently by rejuvenating the areas in cities around public performance spaces.
— Michael Barron

See the rooms we have tuned.

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